EYE // PHONE.

EYE // PHONE.

a casual guide to developing an eye for elevated phone photography

“An eye for elevated phone photography is an asset worth developing. It might come in handy for a job or for personal branding, for capturing moments in a true-to-experience form, and best of all, for its perspective-altering potential. What’s more, cultivating this skill can get you to a place where you regularly and instinctively locate all the beautiful and exceptional elements in your everyday life with profound appreciation and gratitude. It’s a tool with great practical and emotional return. Who wouldn’t love to see more beauty in our lives, and get the most out of every memory we document? It begins with developing a photographer’s eye.”

Hit the link below to read our latest free resource on casual photography:

Voyage Houston: Life and Work with Allie W.

Earlier this month, I was connected to the good folks at Voyage Houston, a nontraditional publication that predominantly features entrepreneurs and creatives who are on uncommon and interesting career paths. We corresponded about topics from a creative upbringing to the nature of what I do. Below, a few excerpts and a link to the main feature:

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On the human aspect of photography:

“In high school, my circle was full of kids who had taught themselves to create nearly professional-quality images with DSLR cameras that their families had given them. At first, I was envious of the effects they could get versus what I could do with a point-and-shoot, but then, I noticed that, more importantly, these friends were empathetic and lived in the moment in a way that drew others to them. Photography made them connect deeply to people and to what was happening around us, and in an appreciative, interpretive way”

On the appeal of creative work:

“[At the start of my creative pursuits], I noticed [...] that doing photography as favors for friends felt rewarding to me in a way that was beyond pure hobbyist enjoyment – it was also intellectually stimulating! Each project felt like a business project or puzzle with its own unique requirements, constraints, and personalities to work around.”

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On advice for up-and-coming creatives:

“The best thing that aspiring creatives can do for themselves is to cultivate a healthy sense of realism and self-forgiveness. Are you going to be an artistic legend overnight, or at all? Probably not. Are you going to throw your hands up and decide that your art isn’t worth pursuing at all because it’s not perfect? Nothing’s perfect. Are the people around you going to trash your work because it doesn’t look like it could be in Vogue or National Geographic? Not if they’re normal, reasonable people. The worst-case scenario that could happen if you put your work out there is that the people who don’t connect with it will just pass it over… and that’s fine. That’s not a real setback. A real setback is not being willing to put your work out there in the first place.”

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